We have all, at one point or another, longed to stumble upon that special someone in “meet cute” fashion. Smokey Robinson & The Miracles, “You Really Got A Hold on Me”, 30. Peter, Paul and Mary, “If I Had A Hammer”, 42. —Shane Ryan, Nearly 50 years after its release, “Respect” is still ubiquitous. Its power and frankness – as well as it being a splendid song from the supreme pair of Carole King and Gerry Goffin – took it to the top in the US and kickstarted the girl group era. Heavily inspired by the Texas blues that imbued her first musical endeavors, “Piece of My Heart” is a symbol of the time it was released; the perfect mix of blues and psychedelic hard rock to soundtrack the free-love ideology of the Hippie counterculture. —Ron Hart, This song became a big deal even before the 13th state in the union officially decreed it the official state song in 1979. ‘Cinnamon Girl’ was later covered by Smashing Pumpkins and Motörhead. — Bonnie Stiernberg, The Supremes were, bar none, the most successful Motown girl group. Fun fact: On drums is none other than Marvin Gaye. 1 on the Billboard Hot 100 chart thanks to the bludgeoning guitar and singer Reg Presley’s vocals, which go from sounding almost distracted to unsettlingly focused when he veers into the famous chorus. All Rights Reserved, 100. Led by Jim McGuinn’s distinctive 12-string Rickenbacker, and Gene Clark’s pitch perfect lilt, this was originally the b-side to ‘All I Really Wanna Do’. Happy TogetherThe Turtles • … The closing track on seminal 1968 LP ‘Odyssey And Oracle’, ‘Time Of The Season’ was perhaps The Zombies finest moment. Whether it inspired Cooke or not, ‘A Change Is Gonna Come’ is infused with the belief and determination of the civil rights movement. Up until that point, the song had been bouncing along the runway, fueled by handclaps and those tightly wound harmonies of the backing vocals. https://www.youtube.com/watch?v=EkPy18xW1j8. Following a legal battle with his label King Records, a reinvigorated James Brown re-emerged revitalized. The Stax house band found themselves with an iconic record themselves here, a simple 12-bar blues that thrives on in-built cool. Hey Baby - Bruce Channel 220. Two and a half minutes of world class pop later and it’s gone, but in your head forever. https://www.youtube.com/watch?v=VN_Aq2W2Yi0. Their turbulent domestic life (Tina accused Ike of being an abusive husband) has overshadowed their legacy, but there’s no denying the electricity the two had on stage. Penned by Motown dream-team of Holland/Dozier/Holland, Levi Stubbs sang this track with an urgency which was said to mimic Bob Dylan. Noel Redding’s bass bobs and weaves around howling guitar leads. Whether the lyrics implied drug consumption (as listeners suspected) or a foggy-brained love song (as Hendrix claimed) is irrelevant. —Hilary Saunders, Although it’s tried ever since, progressive music has never been as heavy-hitting as the opener of King Crimson’s 1969 debut album In the Court of the Crimson King. Otis Redding, “(Sittin’ On) The Dock of the Bay”, 17. The song starts with Lennon’s reflections on the news of the day, tinged with his usual dark outlook. —Mark Rozeman, It’s hard to fathom that “Gimme Shelter” and “You Can’t Always Get What You Want” appear on the same album; the former is as eerie and foreboding as the latter is encouraging and comforting. It’s like listening to a smile, and no matter how many cheesy romantic comedies it soundtracks, that never gets old. Such a great cover of the Dylan classic that Bob himself tweaked his own version upon hearing it, Jimi’s guitar epic had a slow and painful gestation period. It’s inspired countless “singing into a hairbrush” moments, in film and real life alike. The song won a much-deserved Academy Award for Best Song from a Motion Picture. It’s been covered by sometime Go-Go Belinda Carlisle and sampled by Kylie Minogue. —Tyler Kane, Starr was given the chance to record this snarly, iconic protest song after it was decided that it was too controversial for The Temptations. Chip Taylor – brother of US actor Jon Voight – wrote ‘Wild Thing’, which was originally recorded by The Wild Ones. Listen and enjoy Matthews' intimate vocals over intricately … A heady bolero that divvied up Alice In Wonderland references with not-so-subtle winks at drug assisted mind expansion. Proto-Krautrock duo the Silver Apples flew miles ahead of the pack with this stunningly unique track. Ae Phoolon Ki Rani. If there’s one year that sums up the sixties the best, it’s 1967. © 2021 NME is a member of the media division of BandLab Technologies. In the Name of Love”, 19. It’s hard to believe that this perfect soul pop nugget was turned down by no less than Aretha herself, but following Dusty’s sultry take on the track she was quick to correct the error of her ways. Inspired by Gershwin’s ‘Summertime’ and the very real Summer Of Love, it was anchored by Colin Blunstone’s coolly soulful vocals and Rod Argent’s galloping keyboard solo. I said “hi” to Caroline, said a few words, and then I told her the story about how the song title came from a photo I’d seen of her and her little pony. True to the title and the song’s worshipful spirit, it moves up into the stratosphere with each passing minute with the help of Jackie Wilson’s unbound falsetto and a bridge section that lets the horns burst out like a heavenly call to action. Prescient indeed. Furthermore, the track introduces the arrival of John Entwistle as the undisputed king of his instrument and perhaps the most memorable stutter in all of rock history. Turn! Singers. We recommend you to check other playlists or our favorite music charts. Watch Video. Many musicologists trace them to the red raw chords of this track, the ludicrously heavy third single from The Kinks and the one that sent them stratospheric.
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